GRECO, El
Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
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GRECO, El Lady with a Fur sfhg oil painting


Lady with a Fur sfhg
1577-80 Oil on canvas, 62 x 51 cm Private collection, Glasgow
Painting ID::  7065 		GRECO, El
Lady with a Fur sfhg
1577-80 Oil on canvas, 62 x 51 cm Private collection, Glasgow
   
   
     
GRECO, El The Knight with His Hand on His Breast sdg oil painting


The Knight with His Hand on His Breast sdg
1577-84 Oil on canvas, 81 x 66 cm Museo del Prado, Madrid
Painting ID::  7067 		GRECO, El
The Knight with His Hand on His Breast sdg
1577-84 Oil on canvas, 81 x 66 cm Museo del Prado, Madrid
   
   
     
GRECO, El Portrait of a Doctor dfh oil painting


Portrait of a Doctor dfh
1577-84 Oil on canvas, 93 x 82 cm Museo del Prado, Madrid
Painting ID::  7068 		GRECO, El
Portrait of a Doctor dfh
1577-84 Oil on canvas, 93 x 82 cm Museo del Prado, Madrid
   
   
     
GRECO, El St Sebastian ghj oil painting


St Sebastian ghj
c. 1580 Oil on canvas, 192 x 148 cm Sacristy of the Cathedral, Palencia
Painting ID::  7069 		GRECO, El
St Sebastian ghj
c. 1580 Oil on canvas, 192 x 148 cm Sacristy of the Cathedral, Palencia
   
   
     
GRECO, El Christ in Agony on the Cross oil painting


Christ in Agony on the Cross
1600s Oil on canvas, 104 x 62 cm
Painting ID::  43706 		GRECO, El
Christ in Agony on the Cross
1600s Oil on canvas, 104 x 62 cm
   
   
     
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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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